» Archive for 30 November 2008

张达的O形

30 November 2008

In a hidden corner in 798, lies a fashion surprise for fans of minimalist wear, playful irony and small, independent fashion labels …

zhang da’s “white cube”

zhang da’s “white cube” — penetration!

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成都再生环保纸小学

16 November 2008

paper school in Sichuan

谁决定临时的避难所必须得寒碜?2008年九月在成都的郊区,日本建筑师坂茂的事务所跟中国建筑师合作绿色小学活动房项目竣工。 这所漂亮的小学使用了再生环保纸做支柱,宽敞而舒服,是孩子们应得的。在日本设计博客 PingMag 可看到更多的照片以及对项目经理的访谈记录。

PingMag 还有跟中国建筑师马岩松的访谈,看这连接

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张培力 / 倪海峰:拨出制造业国家的特点

13 November 2008

In Shenzhen’s OCT Contemporary Art Terminal , Zhang Peili installed his third solo of 2008, again featuring remains, Mute. In this “scene” (a “new form of art” that Zhang Peili has been developing, he contrasts the real and the perceived, the static and the dynamic, over the abandoned reckage of manufacturing sewing tables and two parallel video projections of people working in the exact same space.

Zhang Peili

Zhang Peili video

Concurrently, at Beijing’s JoyArt Space, Ni Haifeng (artist site) employs similar on-site tailors who shredded, then reconstruct more than 10 tons of reclaimed fabric in Para Production. The result is a wall sculpture that reaches to the ceiling; remains are scattered across the space. The show is curated by Pauline Yao, see more photos of the show and its installation at her site.

Nihaifeng

Nihaifeng 2

Although these two artists have different aims, the similarity of their means is outstanding. Both employ anonymous, live performers in the installation of, and integrally in the manufacture of their works. Both use the reconstructing, reorganizing and recontextualizing of materials, Ni Haifeng working with the fabric itself, and Zhang Peili with video clips that he garnered from a performance within the space. Both display their final product (fabric-sculpture, video montage) amidst the un-edited ruins of its production process.

For more “common threads” and variations on this theme, please reference Zheng Guogu’s Factory exhibition, January 2008 at Beijing’s Tang Contemporary.

More exhibition scenes below . . .

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