2 July 2008 by sinopop

Looking for Me: Yan Cong

yancongThe following artist introduction will be included in the forthcoming book, Looking for Me, a collection of writings and works representing the best of China’s young artists.

Yan Cong’s artistic career began in boredom and loneliness, a student wasting away in his dorm room, which he surmounted by drawing comics and illustrations and posting them online for a growing group of virtual friends. Thus the imaginary landscapes he retreats into and characters that inhabit them are a true blend of his psychology and quaint nostalgia for childhood, or perhaps his humble home in the countryside. His adopted penname, yancong, is the Chinese for “chimney.”

Yan Cong works in an eclectic mix of elementary materials: ballpoint pen, newspaper collage, low-tech digital illustration, even needle and thread. His choice of mediums reflects the low-tech modesty and longing for an uncomplicated world that color his personal world.  In drawings and comics on paper of various sizes and quality, he invokes a lonely world of folkloric creatures, and dreamlike adventures unfold in a narrative voice culled over a lifetime of avid comic reading. Much of the detail, the compositional language and depth in his two-dimensional works was informed by his training as a traditional painter, although, this formal instruction is otherwise invisible. He shares new comics and illustrations online at his blog, Soda Pop Stand, and is a central member of the Green School Design Collective, curating shows and influencing the group aesthetic with his seemingly benign style.

Many of his drawings resemble children’s book illustrations, but tiny nuances betray the skill of their author––eyelashes, the twinkle in an eye, or the just-so buttons on a flowery dress. There are evil characters with bullhorns, and good boys with rosy cheeks, pig-headed or dog-faced children are everywhere, and characters tear out their heart (literally) for us; the moon smiles down on it all. His works might be small but his repertoire is growing, each artwork becoming a frame onto Yan Cong’s private mythology. As it once functioned for him, Yan Cong’s work shelters us in a simpler world. comic

Posted in Post 70s art, art, writings
You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.



Leave a Reply


FireStats icon Powered by FireStats