Shi Qing’s “Bird and Flower Painting for the Proletariat”»

[”Bird and Flower Painting for the Proletariat,” Paintings and Installation, TOP Studios, 2010]

[”Bird and Flower Painting for the Proletariat,” Paintings and Installation, TOP Studios, 2010]
Accompanying his exhibition […]

“Little Movements” Review»

Little Movements [from January 2012 Artforum]
SHENZHEN, CHINA
“Little Movements”
OCT CONTEMPORARY ART TERMINAL OF THE HE XIANGNING ART MUSEUM
评论“小运动”的中文译文发表于artforum.com.cn

“Little Movements: Self-Practice in Contemporary Art” is an ongoing project initiated by curator and critic Carol Yinghua Lu and her husband, curator and artist Liu Ding. Because the endeavor encompasses so many ideas simultaneously and has appeared in many […]

“Image, History, Existence” the Taikang Collection»

今年夏末，泰康人寿保险公司的艺术收藏占领了中国美术馆的整个三楼，从评论角度上讲，收藏展不一定能够吸引评论家产生太多的言说，但是由于泰康空间最近举办了“51平方米”的系列，给批评家提供了讨论新兴艺术家与实验性创作的机会，所以，北京的艺术界对这场展览还是心怀期待的。收藏中有不少现当代的里程碑式之作，而展出的作品涉及了近期艺术市场里所有的重要名字，同时也展现了中国不断发展的前卫艺术，

Zhao Yao: “I am your Night” @ Beijing Commune»

In “I Am Your Night,” Zhao Yao’s latest exhibition, a series of childishly bright and geometric paintings ironically titled “A Painting of Thought” (all works 2011) mock the profundity of a rising undercurrent of young canvas-favoring Conceptual artists who work in Beijing today. Indeed, many of these artists have shown at the same gallery that […]

Reading Gao Minglu, pt. 2 (2008-2010)»

Gao Minglu’s “’85 Movement” gives an inclusive perspective and presents the most moving and utopian, most filled with youthful rebelliousness and broadly germinal movement in contemporary Chinese art history. The book is separated into two volumes,

Reading Gao Minglu: 1997-2008»

The following is a complete list of Gao Minglu’s publications in English and Chinese, with synopsis (when available) and table of contents in both English and Chinese, to reveal Chinese language information, click 中文 to your right.
1991    主编《中国当代美术史》editor of “The History of Contemporary Chinese Art”  [Chinese only]
Not Available
1997《中国当代美术史（1985—1986）》“The History of Contemporary Chinese Art […]

An American Art Critic’s Adventures in China»

  The title alone of Barbara Pollack’s part exposé, part romp through the Chinese art world seems enough to identify the author’s New Yorker status. But she wears her outsider status like a badge, humbly poising herself to profile art world power players and make a broad outline of the yet infantile Chinese art infrastructure. As an […]