On March 20, the Minsheng Art Museum in Shanghai threw open its doors on Liu Wei’s solo show, “Trilogy” 《三部曲:刘韡个展》. Who said there were no local art museums? Although I couldn’t make it for the show, and I can’t offer any critical analysis or interesting commentary, I decided, considering the popularity of previous posts […]
In June last year, Long March mounted a solo exhibition for MadeIn Co., integral to which was a bit of media trickery. Its been a long time, but I thought it worth to write about here. The show was an interesting ruse best appreciated from within the local art machine.
The press release went out to […]
The following is a complete list of Gao Minglu’s publications in English and Chinese, with synopsis (when available) and table of contents in both English and Chinese, to reveal Chinese language information, click 中文 to your right.
1991 主编《中国当代美术史》editor of “The History of Contemporary Chinese Art” [Chinese only]
Not Available
1997《中国当代美术史(1985—1986)》“The History of Contemporary Chinese Art […]
The title alone of Barbara Pollack’s part exposé, part romp through the Chinese art world seems enough to identify the author’s New Yorker status. But she wears her outsider status like a badge, humbly poising herself to profile art world power players and make a broad outline of the yet infantile Chinese art infrastructure. As an […]